Lighting Design
Pre-vis in our Brooklyn shop, plot delivered as a single cue stack. FOH and moving rig driven by one operator on show day — no cue-conflict between LD and stage manager.
The capabilities below are not a menu of vendors. They are the seven production layers that run inside every WMLive engagement — from a 200-person roadshow to a 1,200-delegate summit at the Javits. Pick the layer you need staffed. We own the rest.
Every WMLive program — a 250-attendee sales kickoff, a hybrid summit with a global simulcast, a single-night incentive trip at a black-tie venue — runs through the same seven production layers in the same order. Strategy first, scenography and AV in parallel, stagecraft on site, content captured in the room, hybrid broadcast stitched to remote viewers, and post-event analytics delivered to your CRM within ten business days.
We do not subcontract the show caller on programs over 250 attendees. We do not hand off graphics to a freelancer we met last Tuesday. The 54 of us in New York and Austin, plus a vetted 200-person freelance crew network, run the entire stack under one producer who answers one phone. That is the engagement you are buying when you book a WMLive program.
What follows is the breakdown of that promise — deliverables per layer, the operator who runs it, and a recently shipped engagement that proves the layer on a real stage.
Strategy is the part of the engagement where objectives, audience, and run-of-show get nailed down before any gear is rented. No producer on our team walks a venue walkthrough without a signed-off strategy doc in hand.
Scenic design at WMLive starts at our 18,000 sq ft Brooklyn fabrication facility, not at a rental house. Every set is engineered to your run sheet, pre-rigged in-house, and loaded out on a single truck with a numbered crate manifest — so load-in reads like a swap, not a build.
Lighting cues, mic checks, video roll-ins, and the show caller's countdown live on a single RunSheet OS timeline. When the keynote needs to flex, your producer moves four cues at once instead of routing a change through four subcontractors.
Pre-vis in our Brooklyn shop, plot delivered as a single cue stack. FOH and moving rig driven by one operator on show day — no cue-conflict between LD and stage manager.
Front-of-house mix, stage mic plots, and a dedicated producer comms channel (Riedel / Unity) — wired so the show caller can re-ride any cue 30 seconds before doors.
LED walls, projection blends, and IMAG feeds paced to RunSheet cues. Switching is built into the show caller's stack — graphics, lower-thirds, and roll-ins fire on the same beat as the lighting transition.
A single WMLive show caller owns the script from doors-open to load-out — managing stage, talent, and AV from a unified prompt. The result: a 99.4% on-time start rate across 412 programs in 2023 (doors-open within 5 minutes of announced time).
Our producers script the keynote, storyboard the opening video, and ship the social cutdowns — so the narrative across stage, screen, and feed feels like one campaign, assembled by one team.
In-house editorial producers draft, ghost-write, and tech-rehearse every keynote, breakout, and fireside chat. We work from your leadership team's source material — not generic AI stubs — and we lock copy before run-of-show, so your executives walk on stage rehearsed, not surprised. Deliverables include speaker prep docs, teleprompter rigs, and an on-call script supervisor backstage.
Scope the script →Branded sizzle reels, opener films, and pre-session stingers produced in our edit suite and cued straight into RunSheet OS — so video rolls land on the same beat as the lighting change.
From the same multi-cam capture, our editors ship vertical cutdowns for LinkedIn, X, and YouTube Shorts within 48 hours — plus a longer recap piece for owned channels. The average post-event qualified-lead uplift reported by our B2B clients runs 3.4x versus the host company's blended inbound rate.